1996 | The 1990s | 1998 |
Continue to use Mamiya primarily. Second 283 goes bad, I buy another, then, deciding one night after a couple of beers I should try and fix the old 283, take it apart and miraculously cure what ails it and with hardly any parts left over. Now I have two, and the Minolta 320X. Head to International Falls to photograph comet Hale-Bopp. Sitting at red light in Duluth and get rear-ended, totalling my Saab. Drunken moron who hit me takes off. Duluth police find him later with his car in his garage and my taillight in his grille but can't prove who was driving so he gets off scot-free. Oh well. Buy Ford Ranger. Test the Mamiya and Rolleicord against one another. Decide that they're both pretty sharp but the Mamiya is more contrasty. Using Fuji NPS160 film doesn't do the Rollei any favors. Get Yashica T-4 Super for my Dad. One of my sisters buys herself one too. She had been using my brother in law's Nikon FM but his usual lens is a 58mm f/1.2 and it weighs a lot, though I must say it is impressively easy to focus. Karla starts Music Director at St. Mary's Episcopal church and before long I take over the newsletter and begin shooting pictures for it, mostly on the Nikon but sometimes on the T-4, Mamiya and even the Rollei, once, though without a flash bracket this is real clumsy. One day find that T-4 is done with roll. Funny, I don't remember using that much. Get roll developed. Nice pictures of electric meter, doorknob, bicycle. My son has discovered photography! And with autofocus they're way clearer than when my sister wandered around and took God knows how many pictures on one frame of my Kodak Brownie! Discover that Fuji print film from Target is really cheap. Buy some Konica infrared 120 for the Rolleicord! Wow! A new lease on life for that venerable camera. Of course, infrared renders chlorophyll-filled leaves white, and I got film in January in Minnesota. Average less than one frame a month. Oh well.